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Antonio Vivaldi: Jubilate, o amoeni RV 639/639a - Gloria, RV 588: Partitions Vocales d'Opéra

Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé

COMPOSITEUR: Antonio Vivaldi
TYPE DE PRODUIT: Pratique vocale pour chœurs
ÉDITEUR: Ricordi
RV 588 is Vivaldi’s ‘other’ Gloria, a composition having many parallels with Vivaldi’s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717, when the composer was acting choirmaster at the Ospedale della Piet in Venice. It even borrows from the same work, a
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Détails
Compositeur Antonio Vivaldi
Éditeur A. Frigé
Description Instrument Group Chant
Instrumentation Partitions Vocales d'Opéra
Instrumentation Vocal and Piano Reduction
Type de produit Pratique vocale pour chœurs
Description Product Type Recueil
Collection Ricordi Vocal Score Series
Niveau de difficulté INTERMEDIATE
Éditeur Ricordi
Année de publication 2018
Nombre de Pages 80
ISBN 9788881920389
ISMN 9790041417547
Edition Number CP 14175400
CP 14175400
Description
RV 588 is Vivaldi’s ‘other’ Gloria, a composition having many parallels with Vivaldi’s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717, when the composer was acting choirmaster at the Ospedale della Piet in Venice. It even borrows from the same work, a slightly earlier Gloria by the Venetian amateur composer Giovanni Maria Ruggieri, for its closing fugue. However, the present Gloria, RV 588, departs from its more famous counterpart in ingeniously combining its opening movement with the final movement of a specially designed introductory motet, Jubilate o amoeni chori (RV 639/639a), for solo contralto (or soprano) and strings, although Vivaldi makes it possible, through optional cuts indicated in the autograph manuscript in Turin, to perform the Gloria alone. With or without its Introduzione, RV 588 is a masterly work with many memorable moments, not least in its heartfelt second movement set to the words “Et in terra pax”. The Introduction and Critical Commentary for this vocal score prepared by Antonio Frigé are closely based on those of the Critical Edition by Denis Arnold and Michael Talbot, published in 1990.
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