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Camille Saint-Saëns: Messe A Quatre Voix: Chœur Mixte et Piano/Orgue
Partition vocale | Partitions
COMPOSITEUR:
Camille Saint-Saëns
TYPE DE PRODUIT:
Partition vocale
ÉDITEUR:
Carus Verlag
DEFINITIVE DURATION:
00:45:00
Carus-Verlag is now publishing this early work by Camille Saint-Saëns in a critical new edition. Among the sacred works by Saint-Saëns there are just two settings of the mass: the "Messe de Requiem" op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed
Détails
| Compositeur | Camille Saint-Saëns |
| Description Instrument Group | Choeur Mixte |
| Instrumentation | Chœur Mixte et Piano/Orgue |
| Voix | SATB |
| Instrumentation | Soloists, Mixed Choir [SATB] and Organ |
| Type de produit | Partition vocale |
| Description Product Type | Vocal Score |
| Langue | Latin |
| Éditeur | Carus Verlag |
| Année de publication | 2017 |
| Definitive Duration | 00:45:00 |
| Nombre de Pages | 60 |
| ISMN | 9790007187088 |
| Edition Number | 27.060/03 |
| N° | CV2706003 |
Description
Carus-Verlag is now publishing this early work by Camille Saint-Saëns in a critical new edition. Among the sacred works by Saint-Saëns there are just two settings of the mass: the "Messe de Requiem" op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857.Camille Saint-Saëns was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison "Messe Royale" by Henry DuMont (1610–1683). Saint-Saëns combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression.Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition.