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Dueling Carmens: Two Carmen Fantasies: Violon et Accomp.

by Hubay and Sarasate for Violin and Piano

TYPE DE PRODUIT: Version instrumentale
ÉDITEUR: Lauren Keiser Music Publishing
Georges Bizet's opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he
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Détails
Description Instrument Group Violon
Instrumentation Violon et Accomp.
Instrumentation Violon et Piano
Type de produit Version instrumentale
Description Product Type Recueil
Collection LKM Music
Éditeur Lauren Keiser Music Publishing
Genre Classique
Année de publication 2021
Nombre de Pages 48
ISBN 9781581068887
UPC 840126993639
Edition Number HL00370317
HL00370317
Description
Georges Bizet's opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions.
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