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Franz Joseph Haydn: Schöpfungsmesse in A nach Joseph Haydn: (Arr. Luigi Gatti): Chœur Mixte et Ensemble
A-Dur
COMPOSITEUR:
Franz Joseph Haydn
PART {INSTRUMENT}:
Violin
TYPE DE PRODUIT:
Partie seule
ÉDITEUR:
Carus Verlag
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn’s oratorio The Creation [first performed in
Détails
| Compositeur | Franz Joseph Haydn |
| Arranger | Luigi Gatti |
| Éditeur | Armin Kircher |
| Description Instrument Group | Choeur Mixte |
| Instrumentation | Chœur Mixte et Ensemble |
| Voix | SATB |
| Instrumentation | SATB, 2 Flutes, 2 Horns, 2 Trps, Timp, 2 Violins, 2 Violas, BC |
| Part {Instrument} | Violin |
| Type de produit | Partie seule |
| Description Product Type | Partition |
| Langue | Latin |
| Éditeur | Carus Verlag |
| Genre | Messe |
| Thème | Sacrée |
| Année de publication | 2007 |
| Nombre de Pages | 20 |
| Edition Number | CV 27.053/11 |
| N° | CV2705311 |
Description
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn’s oratorio The Creation [first performed in 1798], was the basis for the Schöpfungsmesse [Creation Mass] by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass [at times he reduced and adapted theinstrumentation], without doing harm to the admired original.