Jan Van der Roost: St. Martin's Suite: Orchestre d'Harmonie
Partitions et parties | Partitions
COMPOSITEUR:
Jan Van der Roost
TYPE DE PRODUIT:
Partitions et parties
ÉDITEUR:
De Haske Publications
DEFINITIVE DURATION:
00:13:30
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint
Détails
Compositeur | Jan Van der Roost |
Description Instrument Group | Orchestre d'Harmonie |
Instrumentation | Orchestre d'Harmonie |
Instrumentation | Orchestre d'Harmonie |
Type de produit | Partitions et parties |
Description Product Type | Conducteur + Parties |
European Parts Included | Yes |
Collection | Inspiration Series |
Niveau de difficulté | 4 |
Grade of Difficulty Band | Grade 4 |
Éditeur | De Haske Publications |
Année de publication | 1992 |
Definitive Duration | 00:13:30 |
ISMN | 9790035045763 |
Edition Number | DHP 0920404-010 |
N° | DHP 0920404-010 |
Description
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint Martinusfanfare’ from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace’, could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle.
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