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Louis Bourgeois: Hymn of Faith: Arr. (John Blanken): Fanfare

Partitions et parties | Partitions

COMPOSITEUR: Louis Bourgeois
TYPE DE PRODUIT: Partitions et parties
DESCRIPTION PRODUCT TYPE: Conducteur + Parties
ÉDITEUR: De Haske Publications
The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were
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Détails
Compositeur Louis Bourgeois
Arranger John Blanken
Description Instrument Group Fanfare
Instrumentation Fanfare
Instrumentation Fanfare
Type de produit Partitions et parties
Description Product Type Conducteur + Parties
Collection Musica Sacra
Niveau de difficulté 3
Grade of Difficulty Band Grade 3
Éditeur De Haske Publications
Genre Hymnes et chorals
Année de publication 2006
ISMN 9790035094686
Edition Number DHP 1064014
DHP 1064014-020
Description
The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourgeois published a number of psalm collections, and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed, are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael, which is why this melody hasbeen used for various texts, written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice, the second verse being embellished in the tenor register. After a short interlude verse three follows, played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse, which concludes the work in a brilliant tutti.
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