Niels Rosing-Schow: Alliage I: Saxophone Ténor et Accomp.
Conducteur | Partitions
COMPOSITEUR:
Niels Rosing-Schow
TYPE DE PRODUIT:
Conducteur
ÉDITEUR:
Edition Wilhelm Hansen
Programme note:Alloy I for Tenor Saxophone and Classical AccordionThe two instuments of this duo have some common features, i.e. is the tone in both cases produced by air.The air is activated by the lungs of the saxophone player and by the bellow of the accordion. The stream ofair makes a blade of
Détails
Compositeur | Niels Rosing-Schow |
Description Instrument Group | Saxophone |
Instrumentation | Saxophone Ténor et Accomp. |
Instrumentation | Tenor Saxophone and Accordion |
Type de produit | Conducteur |
Description Product Type | Conducteur |
Langue | International |
Éditeur | Edition Wilhelm Hansen |
Genre | Classique |
Période | Post 1901 |
Année de publication | 2012 |
ISBN | 9788759820544 |
Edition Number | WH31161 |
N° | WH31161 |
Description
Programme note:Alloy I for Tenor Saxophone and Classical AccordionThe two instuments of this duo have some common features, i.e. is the tone in both cases produced by air.The air is activated by the lungs of the saxophone player and by the bellow of the accordion. The stream ofair makes a blade of respectively wood and metal vibrate. Both instruments are also associated with thepopular musical tradition. But nevertheless the differences regarding the sound are more prominent thanthe similarities, and contrary to the monophonic saxophone (a ’melody’ instrument), the accordion is apolyphonic instrument, which can produce several simultanious melodic lines and chords.At firstglance this might call for a music, which distributes distinct, even contrasting, musical roles to thetwo instruments, such as melody versus accompaniment. But I refrain from this obvious ‘casting’, since Ihave always been fascinated by the less evident, by transitions and gradual displacement, by the intangibleplaces between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty and permanentgenesis.To arrive here, I have in this piece written a music, which makes the possible relations and sonorous pathscome forward between the sound worlds of the two instruments. Bringing together the musical substances,I look for an ‘air-driven’ musical organism with a glossy and shining appearance. The lively and brightsound world I associate to alloys, in particular the silvery amalgamations of mercury.Niels Rosing-Schow