PLUS DE 100 000 PARTITIONS EN STOCK

Nouvelle Technique de la Contrebasse, Cahier 5

New Technique for the Double Bass, part 5

COMPOSITEUR: François Rabbath
TYPE DE PRODUIT: Méthode - manuel
ÉDITEUR: Alphonse Leduc
Bass player François Rabbath, born in 1931 in Aleppo, is a real character in the world of music. He settled in Paris in 1955, where he played with the stars (Barbara,Aznavour_x005F_x001A_) while continuing as a classical instrumentalist. Throughout the four preceding volumes, Rabbath_x005F_x001A_s
26,16 €
TTC
En stock
Expédié sous 1 jour ouvrable
Ce produit ne peut être commandé en ce moment.
Not available in your region.
Détails
Compositeur François Rabbath
Description Instrument Group Contrebasse
Instrumentation Solo pour Contrebasse
Instrumentation Contrebasse
Type de produit Méthode - manuel
Description Product Type Recueil
Langue Allemand;Anglais;Espagnol;Français
Éditeur Alphonse Leduc
Genre Pédagogie
Période Post 1901
Année de publication 2015
Nombre de Pages 96
ISMN 9790046306235
Edition Number AL30623
AL30623
Description

Bass player François Rabbath, born in 1931 in Aleppo, is a real character in the world of music. He settled in Paris in 1955, where he played with the stars (Barbara,Aznavour_x005F_x001A_) while continuing as a classical instrumentalist. Throughout the four preceding volumes, Rabbath_x005F_x001A_s Nouvelle technique de la contrebasse, presented in a four-language version (French,English, German and Spanish),endeavours to free the pupil from the shackles of traditional teaching.

Always guided by the same conviction - that there is no need to torture one_x005F_x001A_s bodyto become an instrumentalist - Rabbath rounds off his educational epic with this fifth book,which will offer great musical pleasure to the trainee bass player, who can take pride in having overcome the technical difficultiescovered in the first four books. This collection includes real concert pieces - works of great charm, such as the nostalgic Cri de Venise for double bass and piano and the Troisième Concerto with its enveloping lyricism, as wellas short pieces such as Souviens-tu des douze peupliers and the irresistible Mama Bahija for bass, drum and organ.

Pièces jointes
Chargement en cours
Chargement en cours