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Philip Sparke: Pulcinella: Orchestre d'Harmonie et Solo

for Euphonium and Concert Band

COMPOSITEUR: Philip Sparke
TYPE DE PRODUIT: Conducteur et parties
ÉDITEUR: Anglo Music Press
DEFINITIVE DURATION: 00:06:45
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal
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Détails
Compositeur Philip Sparke
Description Instrument Group Orchestre d'Harmonie
Instrumentation Orchestre d'Harmonie et Solo
Instrumentation Orchestre d'Harmonie
Type de produit Conducteur et parties
Description Product Type Conducteur + Parties
European Parts Included Yes
Collection Anglo Music Midway Series
Grade of Difficulty Band Grade 4
Éditeur Anglo Music Press
Genre Œuvre solo et Orchestre
Année de publication 2021
Definitive Duration 00:06:45
ISMN 9790570710430
Edition Number AMP 513-010
AMP 513-010
Description
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke’s series of euphonium solos named after characters of the Italian commedia dell’arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.
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