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Sadie Harrison: Sextet - In Divers Knottes: Ensemble de Chambre

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COMPOSITEUR: Sadie Harrison
TYPE DE PRODUIT: Conducteur
ÉDITEUR: University Of York Music Press
Sextet: 'In Divers Knottes...' for Clarinet, Piano, Percussion, Violin, Viola and Cello. Composed 1998, published 2000. Duration: 16 minutes. This piece has had several working titles, thelongest being Asteroceras obtusum (after a coiled fossil found during a summer visit to Lyme Regis), the
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Détails
Compositeur Sadie Harrison
Description Instrument Group Ensemble de Chambre
Instrumentation Ensemble de Chambre
Instrumentation Clarinet, Percussion, Violin, Viola and Piano
Type de produit Conducteur
Description Product Type Conducteur
Éditeur University Of York Music Press
Période Post 1901
Nombre de Pages 29
ISMN 9790570201556
Edition Number M570201556
MUSM570201556
Description

Sextet: 'In Divers Knottes...' for Clarinet, Piano, Percussion, Violin, Viola and Cello.
Composed 1998, published 2000.
Duration: 16 minutes.

This piece has had several working titles, thelongest being Asteroceras obtusum (after a coiled fossil found during a summer visit to Lyme Regis), the most cynical, RAE III, and Flying Starts suggested by a colleague during a conversation about the importance of writing musicthat “takes off”! I decided on a title that conveyed something o the tangled contrapuntal nature of the piece, taken from an extended text by Stephen Hawes (The Historic of Graunde Amoure and la Bell Pucel, 1554):

With Flora paynted and wrought curiously in divers knottes.
With many dragons of marveylos likenes
Of divers floures made, full craftely
By Flora couloured, with colours sundrye
.

The piece isepisodic and is constructed from three principal textures the opening music which introduces the only theme of the piece and which is never heard again in this form, the fast and increasingly hectic music which grows as the theeproliferates into several knotted variations of itself, and the very slow music which occurs twice as stark contrast to the surrounding material. Written last and within sight of the deadline, this music leaves some of thedecisions to the players the last gasps of the composer and the gathering energy within the piece! - Sadie Harrison

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