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Easy Baroque Pieces for Classical Guitar: Solo pour Guitare

Album de collection | Partitions

TYPE DE PRODUIT: Album de collection
ÉDITEUR: Music Sales America
Easy Baroque Pieces for Classical Guitar is an outstanding introduction for the beginner to intermediate guitarist to the music of the Baroque. The Baroque period of music flourished in Europe from 1600 to 1750, and is represented by a singleness of mood and gesture, rhythmic continuity, polyphonic
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Détails
Éditeur Jerry Willard
Description Instrument Group Guitare
Instrumentation Solo pour Guitare
Instrumentation Classical Guitar
Type de produit Album de collection
Description Product Type Recueil + Enregistrement(s) en ligne
Collection Music Sales America
Éditeur Music Sales America
Période Baroque
Année de publication 2003
Nombre de Pages 80
ISBN 9780825637438
UPC 752187004943
Edition Number HL14037634
HL14037634
Description
Easy Baroque Pieces for Classical Guitar is an outstanding introduction for the beginner to intermediate guitarist to the music of the Baroque. The Baroque period of music flourished in Europe from 1600 to 1750, and is represented by a singleness of mood and gesture, rhythmic continuity, polyphonic texture, and melodic ornamentation. Jerry Willard explains the intricacies of Baroque ornamentation (including trills, mordents, and notes inégale) in an easy-to-understand way, and performs each piece on the accompanying audio. Includes: Aria (from the Anna Magdelena Notebook)(J.S. Bach) · Bourrée in A Minor (theme, from the Second Violin Partita) (J.S. Bach) · Largo (Arcangelo Corelli) · The Harmonious Blacksmith (George Frideric Handel) · Canon (Johann Pachelbel) · Minuet (Henry Purcell) · Gavotte (Giovanni Zamboni) · and more. The accompanying audio is accessed through Hal Leonard's popular MyLibrary system using the provided code. The audio can be streamed or downloaded and includes PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
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